Next up on this marathon of new and upcoming horror films was another British horror film called
F. Stupid title, I know. Before the film started, the director Johannes Roberts introduced it by comparing it to the excellent
Assault On Precinct 13 (John Carpenter, 1976) and described it as an old-school horror film. What can I say; I was excited to say the least. But did the film actually live up to this hype?
What the Hell is it about?
Again, according to the official Frightfest booklet;
Welcome to the Class of 2010. The college day ends, the school building becomes a vast complex of dark corridors, eerily quiet classrooms, empty save for a few staff and children. What none of the remaining teachers and pupils realize is tonight is going to be a night they will remember for the rest of their lives. Viciously attacked by a pupil in the past English teacher Robert Anderson was devastated when the governing board refused to back his lawsuit to avoid bad publicity and scandal. Now a burned-out, world-weary alcoholic tyring to reconnect with his daughter, Anderson must finally face his most terrifying demons. For the school comes under relentless attack from a faceless thread intent on causing maximum mayhem. Alone Anderson must battle brutal bloodthirsty killers, and his deepest fears, in a desperate battle for the survival of those he holds most dear. Will lessons be learned?
Was it any good?
As can be seen in the above semi-synopsis,
F has a much bigger focus on character than the previous piece of garbage,
Isle Of Dogs. The characters are all believable and have their own flaws, fears, goals and problems. In essence the characters in this film, or at least the main characters, are multi-dimensional resulting in the audience actually giving a damn about them. It's no surprise that the most well-developed character is the star of the film, Robert Anderson, played by David Schofield who's career has included appearing in the 2010
Wolfman remake,
Pirates Of The Caribbean 2 & 3 and even the horror classic
An American Werewolf In London. Schofield plays his character in such a way that the audience empathises with his character who truly is a victim of circumstance - even though he constantly does the right thing nothing seems to go right for him. Instantly, I noticed parallels between the fantastic and highly underrated cult film
Class Of 1984. Sadly though, whilst this film clearly benefits from having such a great character, it also hinders the film's enjoyability since it felt as though the entire film was building up to something slowly and, in the end, never really delivering it's promise or, more accurately, it's potential.
